Structural and functional plasticity specific to musical training with wind instruments

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Structural and functional plasticity specific to musical training with wind instruments

Numerous neuroimaging studies have shown structural and functional changes resulting from musical training. Among these studies, changes in primary sensory areas are mostly related to motor functions. In this study, we looked for some similar functional and structural changes in other functional modalities, such as somatosensory function, by examining the effects of musical training with wind i...

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Retrospective and prospective studies were used to assess the numbers, types and persistence of microbes that contaminate wind instruments. All previously played instruments (n = 20) harbored viable bacteria as well as mold and/or yeast. Reedinstruments consistently carried higher microbial loads than did flutes or trumpets. Instruments played within the previous three days bore typical mouth f...

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Musical training induces functional plasticity in human hippocampus.

Training can change the functional and structural organization of the brain, and animal models demonstrate that the hippocampus formation is particularly susceptible to training-related neuroplasticity. In humans, however, direct evidence for functional plasticity of the adult hippocampus induced by training is still missing. Here, we used musicians' brains as a model to test for plastic capabi...

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Acoustic pulse reflectometry for the measurement of musical wind instruments

The bore profile and input impedance of a musical wind instrument provide valuable information about its acoustical properties. The time domain technique of acoustic pulse reflectometry can be used to measure the input impulse response of a tubular object, such as a wind instrument, from which both its bore profile and input impedance can be calculated. In this thesis, after a discussion of the...

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Eigenvalues and Musical Instruments

Most musical instruments are built from physical systems that oscillate at certain natural frequencies. The frequencies are the imaginary parts of the eigenvalues of a linear operator, and the decay rates are the negatives of the real parts, so it ought to be possible to give an approximate idea of the sound of a musical instrument by a single plot of points in the complex plane. Nevertheless, ...

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ژورنال

عنوان ژورنال: Frontiers in Human Neuroscience

سال: 2015

ISSN: 1662-5161

DOI: 10.3389/fnhum.2015.00597